萬一鵬教授簡介 展覽開幕及報導 畫作導賞講稿 開幕日攝影專輯 閉幕日攝影專輯
主 辦
萬一鵬教授山水畫教學作品展
Landscape Paintings of Van I-pong
日期：9 June 2012 and 16 June 2012 ( 10:30am - 4:00pm )
地點：Chinese Community Centre (NSW) 澳洲雪梨卓士活市中華文化中心
Citadel Tower (Garden Level), 799 Pacific Highway, Chatswood NSW 2067 (Tel.94113799)
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(萬老師晚年攝於加拿大愛明頓市，背景對聯為饒宗頤教授所書) 萬一鵬 ， 字嘯雲，上海市嘉定人，幼承家學，乃父雅堂先生，為一代雕竹名家，家藏書畫碑帖極豐，少時耳濡目染，每喜塗抹臨摹，終日不倦；十歲時已能作巨幅山水，為同里國畫家趙夢蘇老夫子賞識，收列門牆，兼隨童星彔老師習書法，姚明輝教授治經史；趙老師每稱讚曰：「此子極有藝術潛質，如能循序善教，日後成就，不可測度。」先生因寢饋潛修，十年如一日，將歷代諸家之技法，刻意臨摹，大體有其規矩。 趙老師又云：「讀書臨摹，僅為基本功夫，如欲另創新意，必須師法造化，此後應多探索山川景物，吸收自然界之生態，運于筆底，則氣韻自生，此語只能意會，而不可言傳」。於是約三數同道，遍游大江南北，繼之渡黃河，登華嶽，臨五台，窮塞北；是時適日寇侵吞東北之後，關外處處可見到日人魔爪，蠶食我國土，激憤中寫 成一幅「橫行塞北之狼羣」，此為創作之始，後在南京展出，極受好評。 抗戰軍興，避寇居浙江、江西等處，游天目山、弁山、茅山諸地，搜盡名山打草稿。 一九四九年南遷香港，復交時下俊彥，切磋學問，出新意于法度之中，別具風韻；曾于一九五九年展畫作于香港聖約翰副堂。七一年應臺北市省立博物館之邀；舉行傳統國畫展；同年冬，復由星加坡六大學術團體主辦，將原作移往星加坡中華總商會展賞，以發揚中華文化。
(蕭立聲、曾克耑、萬一鵬、官允之、饒宗頤、趙鶴琴、薛慧山、張碧寒、彭襲明、林千石等，皆為當時香港藝術界之俊彥)
一九七三年任香港中文大學藝術系講師，七五年參加美國耶魯大學主辦「當代名畫介紹」，在美國十大名校巡迴展覽。八二年又推出新作，假香港大會堂展出，連接四天，觀者潮湧。 于多倫多深居之時，致力繪事，尤以指畫，鑽研深究，啟前人所未啟，別開新徑。暇時以授藝自遣，恒誡諸子以「察微知理，求精惟勤。」先生於專心授藝外，並著作「萬一鵬山水畫說」一書，以供有志藝術者循序進修。 先生於一九九四年十月在溫哥華辭世，遺作由後人編輯成冊，于二Ｏ一Ｏ年出版。
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Mr. Van I-Pong (萬一鵬)
, alias Xiao Yun (嘯 雲)
was born in Jiading, Shanghai (嘉定,
上海), China. During his childhood, he was
taught by his father named Van :4(萬雅堂)
who was a famous bamboo sculptor and a collector of Chinese
paintings. Mr. Zhao Meng-su (趙夢蘇) encouraged him to sketch the nature, saying "Imitating others' works and spending time on reading books merely provide fundamental training, to be really creative, one must learn directly from the universe. And it means to observe and sketch real landscape." According to this instruction, Mr. Van began his sightseeing tour together with several friends of same interest. First they toured north and south along Yangtze River (長江), passing over Yellow River (黃河), climbing to the peak of Mount Hua (華岳 ), visiting the Mount Wutai (五台) and reaching as far as North Wilderness (塞北). At that time, Japan invaded China and occupied Manchuria (東北). Mr. Van was aroused by his patriotism and expressed his feeling in a painting entitled 'Savage Action of a Herd of Wolves in Northern China’ (塞北狼羣) which was exhibited in Nanjing (南京) and received good remarks. During the wartime, Mr. Van was forced to move about Zhejiang (浙江) and Jiangxi (江西) provinces. He also had the opportunity of touring Mount Tian Mu (天目山), Mount Bian (弁山), Mount Mao (茅山) and made sketches of the landscape.
(與國畫大師張大千先生合照) In 1959, he exhibited his works at St. John’s Hall (聖約翰堂), Hong Kong. In 1971, he was invited by Provincial Museum in Taipei (臺北市省立博物館) to hold an exhibition of classical Chinese paintings. In the winter of same year, he was requested by six universities and cultural bodies in Singapore to display his paintings in the Chinese Club (中華總商會) in Singapore. In 1973, Mr. Van was appointed lecturer in the Fine Art Department of the Chinese University of Hong Kong. In 1975, his paintings were sent to Yale University, U.S.A. for an exhibition called ‘Introduction of Famous Artists of Today’ which toured round 10 universities in the United States. In 1982, he displayed his works in Hong Kong City Hall. The display drew crowds of admirers every day. In 1984, he immigrated to Edmonton, Canada. The city is so close to Rocky Mountain (洛磯山) that he could have frequent opportunities in touring this renowned landscape. Mr. Van had also travelled extensively in the States. Starting from the west coast, he visited San Francisco (三藩市), Los Angeles (洛杉磯), Mount Whitney (美西高峯), Lake Tahoe (太皓湖) and Death Valley (死亡谷). He then climbed the Mont Blanc (白山) to visit the ‘Castle amidst the Cloud’ (雲中堡壘). Then he took a cruising tour in River St. Lawrence (聖羅侖斯河). He then settled down in Toronto which has a nickname of 'Little Hong Kong', where he concentrated again on painting, especially in finger painting of landscape. Mr. Van taught painting at his leisure time and wrote a book entitled Theories of Chinese Landscape Painting (中國山水畫說) which is a step-by-step instruction for beginners. Mr. Van passed away in October, 1994 in Vancouver, Canada. His works were collected as a two-volume album and published in 2010.
(80年代初，萬師門下弟子組成萬壑草堂畫會，84年辦第一屆國畫聯展。 後三排第二人即本會會長張繼沛先生。) |
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諸家評論提要
張大千：
為萬一鵬題“古松圖”，句云：「一鵬道兄此作，元氣淋漓，筆筆如草篆，直可方駕倪園客，黃石齋，百年來所未有也」。
饒宗頤教授的題詩
萬一鵬教授的著作
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萬一鵬簡表 1917年生於上海市嘉定。Born in Jiading, Shanghai； 1936年首次在南京舉辦寫生畫展。Held the first exhibition of painting in Nanjing. 1949年南遷香港。Migrated to Hong Kong and concentrated on painting. He became an active member in the art circle. 1958年著“萬一鵬山水畫冊”。Published Van I-Pong Landscape Painting Album﹔ 1959年在香港聖約翰副堂舉行傳統國畫展。Held an exhibition of traditional Chinese paintings at St. John's Hall in Hong Kong.
1971年應臺灣中央研究院院長錢思亮博士及省立博物館之邀，在臺北省立博物館舉行個人畫展；同年冬，應新加坡六大學術文化團體邀請，于中華總商會舉行畫展，以發揚中華文化。 1973年任香港中文大學藝術系講師；Appointed lecturer in the Fine Art Department of the Chinese University of Hong Kong. 1975年參加美國耶魯大學主辦之“當代名畫介紹”，作品在美國十大名校巡迴展覽。Held an exhibition called ‘Introduction of Famous Artists of Today’in the Yale University in the United States. Works were toured round 10 universities in the U.S.
1976年起醉心研究指畫,鑽研深究，啟前人所未啟，自成一系。 1982年指畫新作在香港大會堂展出；Finger paintings were exhibited in Hong Kong City Hall. 1983年移居加拿大愛明頓。Migrated to Edmonton, Canada and visited the scenery spots in Los Angeles, the East and West coasts of the U.S. and Canada.
1986年成立“萬壑草堂”畫會，本有教無類之精神，發揚中華藝術；在香港大會堂舉行萬一鵬師生畫展。；著“萬一鵬山水畫說”一書，除收錄了萬一鵬的作品外，更有很多論畫細節及繪畫的專題討論；
1988年參加香港藝術館主辦之“香港水墨精華”在英國倫敦展出。Participated
in the exhibition of Hong Kong water and ink paintings organized by
Hong Kong Art Museum, exhibited in London, UK.
1990年定居加拿大溫哥華。同年，在香港大會堂舉行“指畫作品展”，及在臺灣臺北國軍英雄紀念館舉行指畫展覽；
1994年在加拿大溫哥華逝世，享年78歲；Passed away in Vancouver, Canada at the age of 78.
中大校長沈祖堯教授主持萬師畫展揭幕儀式 2010年7月至12月香港中文大學藝術系、中國文化研究所、香港大學饒宗頤學術館及萬壑草堂畫會聯合主辦「萬一鵬的藝術天地」畫展 ，由中大校長沈祖堯教授主持開幕儀式。 2010 年萬師哲嗣萬福祺先生出版《 萬一鵬藝術天地》，全書分為上、下兩冊，彙集作品200多 幅，精選自博物館及其朋輩、學生與家人藏品。上冊《鵬情萬裡》以山水畫為主，並選輯花鳥、人物及合作畫。下冊《天地一指》以指畫為主，並選輯竹刻作品、常用印章，附錄藝事年表等。 |
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萬一鵬老師作品選錄 |
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(本網頁資料主要來自「萬一鵬藝術天地」網站、http://www.wanyipeng.com/ ，畫作則由張繼沛先生提供。)
